There is nothing like a great looking sleeve tattoo on a masculine arm to draw attention from all corners. Most well done sleeve tattoos for guys make them look more masculine and exude that charming effect especially on the women. Show off your sleeve tattoo in casual social gatherings by wearing a fitting t-shirt and you will attract all sorts of people, from the admirers and artistic souls to the openly envious ones. Work out regularly to keep the arm muscles firm and the sleeve tattoo will look appealing every day.
Historically finger tattoos get a bit of a bad wrap. Typically they use to be reserved for bikers and gang members, they also were considered a bit of a faux pas if you wanted to get a respectable job. Nowadays however they are more common place and socially acceptable. The traditional finger tattoos were to get “LOVE” on one hand and then “HATE” across the other knuckles, this was a design that was popularized by movie characters. Generally people will get either two four letter words across their knuckles or one eight or ten letter word across both of their hands.
Since the Disney movie The Little Mermaid, the mermaid form has been a popular style for both costumes and tattoos alike. Above you can see a cool example of an under the sea style theme on the forearm. Silhouetted styles are generally safe choices as the thicker line work makes them last longer and less intricate line work that can potentially be messed up or fade over time.
There is nothing wrong with looking for men’s tattoo ideas on the Internet or in magazines, but you will struggle to find an artist who will copy another’s work. Instead, make notes and gather ideas. Decide if you want a black and white tat or one filled with color. Take all of your ideas to your preferred tattoo artist and ask them to draw something for you. A great artist will be able to take your ideas and incorporate them into a fantastic piece.
Tattooing involves the placement of pigment into the skin's dermis, the layer of dermal tissue underlying the epidermis. After initial injection, pigment is dispersed throughout a homogenized damaged layer down through the epidermis and upper dermis, in both of which the presence of foreign material activates the immune system's phagocytes to engulf the pigment particles. As healing proceeds, the damaged epidermis flakes away (eliminating surface pigment) while deeper in the skin granulation tissue forms, which is later converted to connective tissue by collagen growth. This mends the upper dermis, where pigment remains trapped within successive generations of macrophages, ultimately concentrating in a layer just below the dermis/epidermis boundary. Its presence there is stable, but in the long term (decades) the pigment tends to migrate deeper into the dermis, accounting for the degraded detail of old tattoos.
The amount of time to get a full sleeve tattoo on your arm is completely subjective. The entire process, similar to the outcome itself, is highly subjective to plenty of variables. Factors that you must think about include the speed of the artist, the design, as well as your personal healing time. The main factor involved in how long will you be sitting on that tattoo chair is the complexity of the concept. Full sleeves that feature your traditional sailor-style tattoo artwork might take as little as 10 to 15 hours. Meanwhile, a photorealistic tattoo can take at least eighty hours to complete – Possibly even more.
And although it has long been assumed that such tattoos were the mark of prostitutes or were meant to protect the women against sexually transmitted diseases, I personally believe that the tattooing of ancient Egyptian women had a therapeutic role and functioned as a permanent form of amulet during the very difficult time of pregnancy and birth. This is supported by the pattern of distribution, largely around the abdomen, on top of the thighs and the breasts, and would also explain the specific types of designs, in particular the net-like distribution of dots applied over the abdomen. During pregnancy, this specific pattern would expand in a protective fashion in the same way bead nets were placed over wrapped mummies to protect them and "keep everything in." The placing of small figures of the household deity Bes at the tops of their thighs would again suggest the use of tattoos as a means of safeguarding the actual birth, since Bes was the protector of women in labor, and his position at the tops of the thighs a suitable location. This would ultimately explain tattoos as a purely female custom.
Perhaps even then this was a fashion statement, a badge of belonging. Or just what you did after too much rum. Later, the aristocracy flirted with body art. According to the National Maritime Museum in Greenwich (they know a lot about tattoos), Edward VII had a Jerusalem cross on his arm while both his sons, the Duke of Clarence and the Duke of York (later George V), had dragon tattoos. Lady Randolph Churchill, Winston’s mum, had a snake on her wrist.
In the period of early contact between the Māori and Europeans, the Maori people hunted and decapitated each other for their moko tattoos, which they traded for European items including axes and firearms. Moko tattoos were facial designs worn to indicate lineage, social position, and status within the tribe. The tattoo art was a sacred marker of identity among the Maori and also referred to as a vehicle for storing one's tapu, or spiritual being, in the afterlife.