If you know that eventually you want a full sleeve, then Gualteros advises coming up with the full-arm design ahead of time, instead of starting off with just a few sporadic tattoo ideas. This is true for both tribal-style tattoos as well as a series of more random, disconnected ones. “When you’re working with a blank canvas, you can really think through the entire composition to make it cohesive,” he says. “If you’re working with existing tattoos, you just have to try to make it as seamless as possible.”
If you know you eventually want a sleeve, or if you’re going full-sleeve right out the gate, then Gualteros recommends starting at the shoulder. From there, you’ll work your way down the arm. “If someone came to me and let me do whatever I wanted, I’d start from the top with something that fits the body,” he says. “Something that doesn’t look like a sticker on the arm, then bring it down and fill it in.” Alternatively, he notes that some of his customers and fellow artists prefer to start at the wrist and work their way up, but on the same principle: By starting on one end, you aren’t guessing where to place everything else. Instead, you’re moving up or down the sleeve and filling it in with some kind of order.
Each militarybranch has their own restrictions pertaining to tattoos. As of April 2007, the United States Marines Corp. banned tattoo sleeves except for those already grandfathered in prior to the policy change. If you plan on enlisting you can forget tattoo sleeves for now. This consideration must also be made for employment. Potential employers may have regulations banning sleeve tattoos or any visible tattoos for that matter. If you must stay sheathed from shoulder to wrist, you'll be hot in the summer.
Geometric tattoos are probably one of the most trending designs from the last couple of years. They look great, are timeless and not too expensive. Above is an example of a silver and black one on the forearm, which is a very popular spot for people to get tattoos now that they’re more socially acceptable and not necessarily restricted to areas that you need to cover up anymore.
Yet amongst the Greeks and Romans, the use of tattoos or "stigmata" as they were then called, seems to have been largely used as a means to mark someone as "belonging" either to a religious sect or to an owner in the case of slaves or even as a punitive measure to mark them as criminals. It is therefore quite intriguing that during Ptolemaic times when a dynasty of Macedonian Greek monarchs ruled Egypt, the pharaoh himself, Ptolemy IV (221-205 B.C.), was said to have been tattooed with ivy leaves to symbolize his devotion to Dionysus, Greek god of wine and the patron deity of the royal house at that time. The fashion was also adopted by Roman soldiers and spread across the Roman Empire until the emergence of Christianity, when tattoos were felt to "disfigure that made in God's image" and so were banned by the Emperor Constantine (A.D. 306-373).
Following discussions with my colleague Professor Don Brothwell of the University of York, one of the specialists who examined him, the distribution of the tattooed dots and small crosses on his lower spine and right knee and ankle joints correspond to areas of strain-induced degeneration, with the suggestion that they may have been applied to alleviate joint pain and were therefore essentially therapeutic. This would also explain their somewhat 'random' distribution in areas of the body which would not have been that easy to display had they been applied as a form of status marker.
A well-known example is the Nazi practice of forcibly tattooing Nazi concentration camp inmates with identification numbers during The Holocaust as part of the Nazis' identification system, beginning in fall 1941. The Nazis' SS introduced the practice at Auschwitz concentration camp in order to identify the bodies of registered prisoners in the concentration camps. During registration, the Nazis would pierce the outlines of the serial-number digits onto the prisoners' arms. Of the Nazi concentration camps, only Auschwitz put tattoos on inmates. The tattoo was the prisoner's camp number, sometimes with a special symbol added: some Jews had a triangle, and Romani had the letter "Z" (from German Zigeuner for "Gypsy"). In May 1944, the Jewish men received the letters "A" or "B" to indicate particular series of numbers.