Another type of the arm tattoo sleeves is the quarter sleeved type. It is in the shoulders midsection where a quarter sleeved tattoo starts, and it ends in the elbow’s part. Well actually, there are no rules that govern it, so it all depends on the wearer of the tattoo, as long as it can still be called as the quarter sleeved tattoo. What is just needed to be done is you should talk to your tattoo artist, and explain how you want your sleeve design should appear like.
Certain colours - red or similar colours such as purple, pink, and orange - tend to cause more problems and damage compared to other colours. Red ink has even caused skin and flesh damages so severe that the amputation of a leg or an arm has been necessary. If part of a tattoo (especially if red) begins to cause even minor troubles, like becoming itchy or worse, lumpy, then Danish experts strongly suggest to remove the red parts.
When you decide to go for a sleeve tattoo, there are many things you should consider. Do you want your entire arm covered in tattoos, or just half a quarter sleeve? Your tattoo artist can assist you in best deciding the placement and size of your sleeve tattoo. Certain people begin with a couple of randomly placed tattoos, and piece them together later with a bigger, more significant piece. If you’re only starting on the sleeve idea, then it’s a good thing to consider the final project, as well as the scale of your tattoo’s placement.
Finding a tattoo design that you want inked on your skin forever is a process. Searching the photos on our site will help you get inspiration, or even better, a tattoo artist near you that can help bring your ideas to life. Tattoo.com helps you narrow down results to art created by tattoo artists near you. Learn about tattoos, discover their symbolic meaning, find inspiration, collect the ones you like and easily contact the artists who created them to find out how you too can get an amazing design you won’t end up regretting.
Yet amongst the Greeks and Romans, the use of tattoos or "stigmata" as they were then called, seems to have been largely used as a means to mark someone as "belonging" either to a religious sect or to an owner in the case of slaves or even as a punitive measure to mark them as criminals. It is therefore quite intriguing that during Ptolemaic times when a dynasty of Macedonian Greek monarchs ruled Egypt, the pharaoh himself, Ptolemy IV (221-205 B.C.), was said to have been tattooed with ivy leaves to symbolize his devotion to Dionysus, Greek god of wine and the patron deity of the royal house at that time. The fashion was also adopted by Roman soldiers and spread across the Roman Empire until the emergence of Christianity, when tattoos were felt to "disfigure that made in God's image" and so were banned by the Emperor Constantine (A.D. 306-373).
Because this seemed to be an exclusively female practice in ancient Egypt, mummies found with tattoos were usually dismissed by the (male) excavators who seemed to assume the women were of "dubious status," described in some cases as "dancing girls." The female mummies had nevertheless been buried at Deir el-Bahari (opposite modern Luxor) in an area associated with royal and elite burials, and we know that at least one of the women described as "probably a royal concubine" was actually a high-status priestess named Amunet, as revealed by her funerary inscriptions.
In Britain, there is evidence of women with tattoos, concealed by their clothing, throughout the 20th century, and records of women tattooists such as Jessie Knight from the 1920s. A study of "at-risk" (as defined by school absenteeism and truancy) adolescent girls showed a positive correlation between body modification and negative feelings towards the body and low self-esteem; however, the study also demonstrated that a strong motive for body modification is the search for "self and attempts to attain mastery and control over the body in an age of increasing alienation". The prevalence of women in the tattoo industry in the 21st century, along with larger numbers of women bearing tattoos, appears to be changing negative perceptions.
In the period of early contact between the Māori and Europeans, the Maori people hunted and decapitated each other for their moko tattoos, which they traded for European items including axes and firearms. Moko tattoos were facial designs worn to indicate lineage, social position, and status within the tribe. The tattoo art was a sacred marker of identity among the Maori and also referred to as a vehicle for storing one's tapu, or spiritual being, in the afterlife.
Do not wrap your tattoo again unless the artist says so. It’s highly important to keep the tattoo clean after the protection has been removed. Keep in mind that your new tattoo is similar to an open injury. Plenty of tattoo artists recommend hand-washing the tattoo lightly but thoroughly with your clean fingers, using an unscented and anti-bacterial soap. Let it air dry or pat it gently with a dry and clean paper towel. Everything you use or touch should be clean. It’s also common for a new tattoo to be inflamed, red, or sensitive.
The most common method of tattooing in modern times is the electric tattoo machine, which inserts ink into the skin via a single needle or a group of needles that are soldered onto a bar, which is attached to an oscillating unit. The unit rapidly and repeatedly drives the needles in and out of the skin, usually 80 to 150 times a second. The needles are single-use needles that come packaged individually.
As most tattoos in the U.S. were done by Polynesian and Japanese amateurs, tattoo artists were in great demand in port cities all over the world, especially by European and American sailors. The first recorded professional tattoo artist in the United States was a German immigrant, Martin Hildebrandt. He opened a shop in New York City in 1846 and quickly became popular during the American Civil War among soldiers and sailors of both Union and Confederate militaries.
I look at him, sitting there, my 21-year-old son. I feel I’m being interviewed for a job I don’t even want. I say, “But you’re not. You’re different. I will never look at you in the same way again. It’s a visceral feeling. Maybe because I’m your mother. All those years of looking after your body – taking you to the dentist and making you drink milk and worrying about green leafy vegetables and sunscreen and cancer from mobile phones. And then you let some stranger inject ink under your skin. To me, it seems like self-mutilation. If you’d lost your arm in a car accident, I would have understood. I would have done everything to make you feel better. But this – this is desecration. And I hate it.”
It’s the permanence that makes me weep. As if the Joker had made face paints from acid. Your youthful passion for ever on display, like a CD of the Smiths stapled to your forehead. The British Association of Dermatologists recently surveyed just under 600 patients with visible tattoos. Nearly half of them had been inked between the ages of 18 and 25, and nearly a third of them regretted it.
It's true that some timeless designs can be mistaken as cliché, even though I personally wouldn't consider them to be basic. Roses, doves, and literary text tattoos are pretty common, but no two designs ever have to look exactly the same. Your ideas combined with your tattoo artist's vision will usually result in a unique piece of art, even if you're not the only one with an anchor etched onto your skin. Besides, a tattoo's meaning varies from one person to another. That alone will guarantee your tat to be an original.
Tattoos used to be the preserve of criminals and toffs. And sailors. In the 1850s, the corpses of seamen washed up on the coast of north Cornwall were “strangely decorated” with blue, according to Robert Hawker, the vicar of Morwenstow – initials, or drawings of anchors, flowers or religious symbols (“Our blessed Saviour on His Cross, with on the one hand His mother, and on the other St John the Evangelist”). “It is their object and intent, when they assume these signs,” says Hawker, “to secure identity for their bodies if their lives are lost at sea.”
The length of an arm provides an incredible canvas for a tattooist. They have a lot of space to work with, and it gives them the opportunity to explore complex imagery that reads like a story on the skin. Or if they prefer abstraction, sleeves are the chance to create a collision of patterns. The conceptual possibilities are endless. Some artists completely cover the skin, like Little Andy who transformed the lower half of his client’s arm into a swirling galaxy. But for those that favor the minimalist approach, La Malafede showcases the impact of a single line as it traces the inside of the whole arm.
As with any tattoo, you’ll need to keep your bandages on for a few hours, then Gualteros says to wash the tattoo with antibacterial soap and water, let it air dry for 10 minutes, and put a thin layer of Aquaphor on it after each shower for the first two days. (Then switch to unscented body lotion.) While the tattoo heals, wash it 2-3 times a day until peeling stops. This usually takes one week. Continue with light layers of unscented lotion.
A growing trend in the US and UK is to place artistic titoos over the surgical scars of a mastectomy. "More women are choosing not to reconstruct after a mastectomy and tattoo over the scar tissue instead.... The mastectomy tattoo will become just another option for post cancer patients and a truly personal way of regaining control over post cancer bodies and proving once and for all that breast cancer is not just a pink ribbon." The tattooing of nipples on reconstructed breasts remains in high demand, however.